Space lens is a way of shooting films used frequently in eastern films. With times goes by, the frequent usage of space lens in eastern films never changed a lot....
Space lens is a way of shooting films used frequently in eastern films. With times goes by, the frequent usage of space lens in eastern films never changed a lot.
From the 1930's movie business cards, non-essential space lens has emerged, such as "Crossroads", to express a unison feeling between Lao Zhao and Xiao Yang by two doves flying into the lens to console each other, the similar performance can be found in the 1960s' Early "Spring in February" and the 1980s' "Flowers".
At age 1950, 1960 to the 1980s, many of the Chinese movies inherited the spirit from the past regardless of joys and sorrows, the lens can be shifted to the vast sky, torrents of waves, clouds lock, or the natural raging winds. Movies in the 1990s remain to be found in similarities as the "Early Spring in February" to express individuals' conflict with the social environment through wild wind and rainy scenes.
In the favor of this form of expression, there is no doubt to see the shadows of the deeply national lyrical feelings and philosophy. Maybe by trying to achieve the "harmony between man and nature" to solve the problem can find one of connotations. The "Past Days" made by Yi Shuihua and the movie "Lin Zhexu" are some examples, the former movie has same feelings of the opposite sex, not to express in the Western way.
Sex is not the end of love, it is to achieve the degree of feelings; Chinese prefer to communicate in the form of outside communications like body language, such as the converting feelings of "tears splashed onto flowers when moved, the bird frightened the hearts of leavings". People here are not mean person itself but the livings with reflection to the universe things.
The definition of people in Chinese culture is open and agile, and people with a harmonious unison with heaven and earth are the highest state, and effect to shock the grave and move the universe is the effect of expression of people's value. The sorghum whirling in "Red Sorghum", the stretching loess in "Yellow Earth", and the "Yellow River's singing", all the mighty flow of rainfall days in it, the isolated people in the mountains and desert in "Youth Festival". People communicate with countless mountain peaks in Accent, and so on; they are all the unison of people and the natural realm of life.
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